Dear Art & Music Lovers, Join Us for a Night of Enchantment!
We are thrilled to invite you to Nocturnal Reverie, the 9th Art Showcase at the Canvas & Chill Lounge in the enchanting realm of Artsville. Prepare to immerse yourself in a world where creativity knows no bounds and art takes on a life of its own!
Event Schedule: Date: Friday, October 11th Time: 12 PM SLT
DJ Lineup: 12 PM SLT – DJ Pointbreak 1:30 PM SLT – DJ Relena
Featured Artists:
Discover the mesmerizing creations of our talented featured artists:
These extraordinary artists will showcase their captivating works, each piece echoing the themes of mystery and allure that define the night.
Dress Code: Embrace the spirit of the evening by donning anything dark, enchanting, mysterious, or dreamy! Let your imagination run wild and become part of the magical tapestry that weaves through the night.
As we gather under the starlit sky, let us celebrate creativity, connection, and the extraordinary power of art. Your presence adds a unique sparkle to our gathering, and we can’t wait to share this unforgettable evening with you!
Join us for Nocturnal Reverie and let the magic unfold!
Welcome to Noir’Wen City, where the boundaries of art, reality, and virtual existence intertwine in a breathtaking tapestry. The upcoming 1001 Caves Contest & Event, themed “ART WE REAL?”, invites artists and creators to embark on a journey of self-discovery, imagination, and artistic expression.
Contest Schedule
Registration: Until October 31, 2024
Artists and creators are invited to register for this free and compulsory contest until October 31, 2024. This registration is essential for receiving crucial information and ensuring smooth communication with all participants.
Creation Phase: Until December 31, 2024
From the contest’s launch to December 31, 2024, artists will have the opportunity to create their masterpieces. The month of January 2025 will be dedicated to setting up exhibitions, performances, and installation of contest boards.
Exhibition & Evaluation: February 1 – April 30, 2025
The artworks will be showcased for evaluation during these three months. The public will have the chance to vote for their favorite pieces, while specially selected juries—comprising members of the Noir’Wen team, reference artists, and an art journalist—will ensure a balanced assessment.
Proclamation of Results: May 2025
Join us in May 2025 for the announcement of contest results, culminating in a celebratory event filled with art, creativity, and community spirit.
Opening of the 1001 Caves Exhibitions & Festival: June 1, 2025
On June 1, 2025, we will unveil the “WE ARE ART” exhibition, showcasing the winning and selected artworks across various themes.
The 1001 Caves Festival “WE ARE ART”: June – August 2025
Prepare for an artistic extravaganza!
Throughout June, July, and August 2025, Noir’Wen City will host a vibrant festival, offering a special artistic program celebrating creativity in all its forms.
Contest Themes The event encourages participants to explore seven thought-provoking themes, each prompting introspection and exploration:
ART WE REAL? My Avatar’s Life & Reality – Who Am I? Reality often feels like a dream, and as we traverse the landscapes of Second Life, we ponder our existence and the nature of our avatars. Are we crafting our avatars, or are they shaping our reality?
ART WE DESIRE? It’s Not All Mine – Desire, Sex & Pleasure – Are We Free? Explore the intricacies of desire and how it shapes our virtual lives. Are our avatars mere reflections of our yearnings, or do they uncover deeper truths about our desires?
ART WE UNIVERSE? Metalife – Space & Time – A Quantic World Delve into the mysteries of the cosmos and the intricate connections between our existence and the universe. What are the fundamental truths of our reality?
ART WE THINKING? “I Pixel, Therefore I Am” – Are We What We Think? Challenge your perceptions of ideology, ethics, and the role of our avatars in shaping our thoughts and beliefs.
ART WE FEELING? Loving – Hating – Emoting – Therapy for Super Dummies Explore the emotional landscapes of Second Life, where avatars experience love, hate, and everything in between. Can we be our own therapists in this digital realm?
ART WE GOD? TP Me – Beliefs & Spirituality Consider the divine in our virtual creations. Are we mere creations of our own imagination, or do we hold divine powers within our avatars?
ART WE DYING? Is My Avatar Eternal? Reflect on the permanence and transience of existence. What does it mean for our avatars in a world where change is the only constant?
Participate and Contribute This contest is a chance for you to contribute your voice and vision to an event that celebrates art in its many forms. Participate in the art contest, engage in the evaluation of artworks, and immerse yourself in the exhibitions and performances.
For further information, the contest rules are accessible from our team members or in the entrance hall of 1001 Caves—just take the subway to City Hall Station in Central Place.
Key Contacts
NieuwenHove – General Organisation Belice Benoir – General Organisation & Artistic Management alicia.beattie (Lilli B) – Inspirations and Framing nathalie.monday (Nathalie Monday Stenvaag) – Organisation & Communication loreleil Coeur – Organisation & Events Grace Blakewell – Organisation & Music talliacute – Event Assistant & Support
Join us in Noir’Wen City for this extraordinary artistic journey, and let your creativity flow through the 1001 Caves Contest & Event. Together, let’s explore the question: “ART WE REAL?”
Will you answer the call?
Get ready to create, engage, and celebrate art like never before!
A decade after their initial collaboration, Sina Souza and Sabbian Paine reunite in the metaverse to explore the evolving nature of identity in a masked world
Introduction
In the virtual realm of Second Life, where the boundaries of identity are fluid and self-expression knows no bounds, artists Sina Souza and Sabbian Paine reunite for a poignant exhibition titled “The Faces We Have Lost.” This collaborative endeavor marks a decade since their first joint venture, “The Masks We Wear,” and revisits the complex themes of identity, masking, and the interplay between the virtual and the real.
Hosted within the digital walls of the renowned Nitroglobus Roof Art Gallery, “The Faces We Have Lost” is curated and presented by the gallery’s owner, Dido Haas. Haas, a prominent figure in the Second Life art scene, has long championed the work of both Souza and Paine, making Nitroglobus the ideal platform for this collaborative exploration of identity. Her keen eye for innovative and thought-provoking art ensures that “The Faces We Have Lost” reaches a wide and engaged audience within the metaverse and beyond.
Flyer made by David Silence.
A Dialogue Across Time and Platforms
“The Faces We Have Lost” is not merely an exhibition; it’s a dialogue that transcends time and platforms. It’s a conversation between two artists who, ten years prior, explored the masks we wear in a world increasingly reliant on virtual interactions. Now, in 2024, they delve into the faces we have lost, the fragments of our true selves that have been eroded or concealed beneath the masks we adopt for survival, conformity, or escape.
The exhibition’s virtual venue, Nitroglobus Gallery, adds another layer to this dialogue. Second Life, as a metaverse platform, is a space where individuals can experiment with identity, crafting avatars that may or may not reflect their real-world selves. This inherent fluidity of identity within the virtual world makes it a fertile ground for exploring the themes that Souza and Paine address.
Unmasking the Layers of Identity
Souza and Paine’s works are a visual feast of surrealism, each piece a window into the fragmented nature of identity in the digital age. Their artistic styles, while distinct, complement each other, creating a harmonious yet thought-provoking exhibition.
Souza’s works are characterized by their dreamlike quality, often featuring figures that seem to exist between worlds, their forms shifting and morphing. Her use of color is bold and expressive, creating a sense of both beauty and unease. Paine, on the other hand, leans towards a more graphic style, his works often incorporating text and symbols that add layers of meaning to the images.
The exhibition’s title, “The Faces We Have Lost,” is a poignant reminder of the cost of masking. In a world where we are constantly bombarded with images and expectations, it’s easy to lose sight of who we truly are. The masks we wear, whether physical or metaphorical, can become so ingrained that we forget the faces beneath them.
The Metaverse as a Mirror to Society
The choice of Second Life as the exhibition’s venue is significant. As a metaverse platform, Second Life allows users to create and inhabit virtual identities, offering a unique perspective on the concept of selfhood. In this virtual world, the lines between the real and the virtual become blurred, and the masks we wear can take on a new meaning.
Souza and Paine’s exhibition invites viewers to consider the ways in which our virtual identities shape our real-world selves. In a world where we are increasingly reliant on technology for communication and connection, the metaverse can serve as both a mirror and a mask, reflecting our true selves while also allowing us to conceal aspects of our identity that we may not wish to reveal.
A Collaborative Exploration of Selfhood
The collaborative nature of “The Faces We Have Lost” is central to its impact. Souza and Paine’s works, while distinct in style, engage in a visual dialogue, each piece responding to and enriching the other. This interplay between their artistic voices creates a dynamic and multi-layered exhibition that invites viewers to explore the complexities of identity from multiple perspectives.
Their collaboration also highlights the power of art to transcend boundaries, both physical and virtual. In a world that is increasingly interconnected, yet often fragmented, Souza and Paine’s exhibition reminds us of the shared human experience, the universal search for identity and meaning in a world that is constantly changing.
Conclusion
“The Faces We Have Lost” is more than just an art exhibition; it’s a reflection on the human condition in the digital age. Souza and Paine’s works invite us to consider the masks we wear, the faces we conceal, and the fragments of ourselves that we may have lost along the way. In the virtual realm of Second Life, these themes take on a new resonance, as the boundaries between the real and the virtual become increasingly blurred.
This exhibition serves as a powerful reminder of art’s ability to provoke thought, spark dialogue, and connect us to our shared humanity. In a world where we are often masked and fragmented, Souza and Paine’s works remind us of the importance of self-discovery and the enduring search for identity.
Second Life. The very name evokes a sense of limitless possibility, a world where identities can be crafted, dreams pursued, and realities redefined. It’s a realm where the boundaries between the physical and the digital blur, and where art finds new avenues for expression. For me, Second Life is more than just an online platform; it’s a canvas for my creativity, a stage for my passions, and a testament to the enduring power of art in the digital age.
My journey in Second Life began with words. I was fascinated by the burgeoning art scene within this virtual world, and I felt compelled to share its wonders with others. I started writing articles about Second Life art, exploring the diverse galleries that dotted the virtual landscape and showcasing the talents of the artists who brought them to life. Through my writing, I sought to bridge the gap between the virtual and the real, inviting others to step into this vibrant world and discover its artistic treasures.
As I delved deeper into the art scene of Second Life, my passion for photography ignited. I was drawn to the unique challenges and opportunities that virtual photography presented. Here, the limitations of the physical world faded away, replaced by a boundless realm where creativity could flourish. I could capture moments of fleeting beauty, freeze gestures of raw emotion, and immortalize scenes that existed only in the digital ether.
My photographic journey in Second Life led me to embrace the power of black and white. I found myself captivated by the way monochrome stripped away distractions, revealing the essence of a subject, its soul laid bare. In a world awash with vibrant colors and dazzling effects, black and white offered a sanctuary of simplicity, a space for introspection and emotional resonance.
The allure of black and white photography in Second Life, for me, lies in its ability to transcend the superficial and delve into the depths of human experience. It’s a medium that speaks to the heart, bypassing the filters of color and revealing the raw emotions that lie beneath. In a virtual world where identities are fluid and appearances can be deceiving, black and white photography cuts through the artifice, capturing the genuine moments of connection and vulnerability that define our shared humanity.
My exploration of black and white photography in Second Life has been a journey of self-discovery, a quest to understand the interplay between art, technology, and human emotion. I’ve experimented with various techniques, pushing the boundaries of virtual photography and seeking new ways to express my artistic vision. Along the way, I’ve encountered a vibrant community of artists and photographers, each with their own unique perspective and style.
One of the most fascinating aspects of Second Life photography is the ability to manipulate and enhance images using tools like Photoshop. With a few clicks and strokes, I can transform a simple snapshot into a work of art, adding layers of depth and meaning. However, I’ve also learned the importance of restraint. While Photoshop can be a powerful tool for creative expression, it’s essential to use it judiciously, preserving the integrity of the original image and the authenticity of the virtual environment.
In recent years, the rise of artificial intelligence (AI) has revolutionized the world of photography, offering new ways to create and manipulate images. I’ve dabbled with AI tools in my Second Life photography, intrigued by their potential to enhance and transform my work. However, I’ve come to realize that I prefer the purity of unadulterated virtual photography. There’s a certain magic in capturing a moment as it unfolds in Second Life, without the intervention of AI algorithms. It’s a way of preserving the authenticity of the virtual experience, honoring the creativity of the artists who built this world, and respecting the integrity of my own artistic vision.
My passion for black and white photography in Second Life stems from a deep appreciation for the art form and its ability to evoke emotions, tell stories, and capture the essence of the human spirit. I believe that virtual worlds like Second Life offer a unique platform for artistic expression, a space where creativity can flourish unconstrained by the limitations of the physical world. In these digital realms, we can explore new frontiers of art, pushing the boundaries of imagination and redefining what it means to be human.
As I continue my journey through the virtual landscapes of Second Life, I’m constantly inspired by the beauty and diversity of the art I encounter. From the breathtaking landscapes to the intricate avatars, every element of Second Life is a testament to the boundless creativity of its inhabitants. I’m grateful for the opportunity to be a part of this vibrant community, to contribute my own artistic vision, and to share my passion for black and white photography with the world.
In the end, my Second Life is a reflection of my own soul, a tapestry woven from experiences, emotions, and artistic expressions. It’s a world where I can be myself, explore my creativity, and connect with others who share my passion for art and virtual worlds. And as I continue to wander through its digital landscapes, camera in hand, I know that my journey is far from over. There are countless stories yet to be told, countless emotions yet to be captured, and countless moments of beauty waiting to be discovered in the monochrome world of Second Life.
On October 13th at 1 PM SLT, we beckon you to join us for an unforgettable journey into the haunting beauty of “Ballet NOIR” by Muse Dance Co.
As the last whispers of autumn fade into the crisp night, and the veil between the living and the beyond thins, we invite you to a performance like no other. A dance where shadows take center stage and the ethereal intertwines with reality. The air will thrum with the presence of ghouls, ghosts, and the eerie elegance that only Muse can conjure. The night is calling, and this is your chance to witness something truly enchanting.
Step into this dark ballet, where every movement pulls you deeper into a world beyond the ordinary—a world where dancers become spirits, and the stage transforms into a playground for the supernatural. The artistry, emotion, and raw beauty of “Ballet NOIR” will leave you breathless, as we uncover the secrets hidden in the twilight.
For full immersion, set your sun to midnight and remove all face lights, allowing the mood and the shadows to carry you away into this mystical performance.
This is an experience you won’t want to miss. Mark your calendars and prepare to be captivated by the spellbinding allure of “Ballet NOIR.”
See you there, if you dare…
"Now when dying grasses veil earth from the sky in one last pale wave, as autumn dies to bring winter back, and then the spring, we who die ourselves can peel back another kind of veil
that hangs among us like thick smoke. Tonight, at last I feel it shake. I feel the nights stretching away thousands long behind the days till they reach the darkness where all of me is ancestor."
As we ring in the season in only the way Muse Dance Co. can, we invite you a dark ballet filled with ghouls and ghosts!
An Immersive Experience That Pushes the Boundaries of Creativity, Art, and Music
Join us for an unforgettable journey into the future of art and music at Canvas & Chill – Future Horizons, the 8th Art Showcase, on Friday, September 27th, at12 pm at the iconic Canvas & Chill Lounge in Artsville. This immersive experience, expertly curated by Frank Atisso and Jerzzie Reece-Redstar, invites you to explore a world where creativity knows no limits.
Since its inception, Canvas & Chill has earned a distinguished reputation as one of Second Life’s premier art venues, consistently curating some of the most exciting and thought-provoking exhibitions in the virtual world. Held every second and fourth Friday, these showcases have become a gathering point for creators and art enthusiasts, providing a platform for emerging and established artists alike to share their work with a wider audience. The 8th edition continues this proud tradition, promising an immersive experience that reflects the depth and diversity of Second Life’s artistic talent.
This edition, titled Future Horizons, features visionary artists who are known for their ability to transport viewers into new dimensions of thought and emotion::
These four artists will transform the Canvas & Chill Lounge into a visual spectacle that will not only inspire but also invite reflection and conversation. The showcase will be complemented by a musical lineup, creating an atmosphere of vibrant energy and artistic synergy.
The Musical Lineup
In keeping with the futuristic theme, the live DJ performances will complement the artistic experience perfectly:
12 PM SLT – DJ Noir Tater will set the tone with dynamic beats. 1 PM SLT – DJ Kastor Troy takes over, weaving soundscapes that perfectly complement the artwork on display.
At the core of Canvas & Chill and Artsville are two dynamic visionaries—Frank Atisso and Jerzzie Reece-Redstar, both of whom have been instrumental in shaping Second Life’s virtual art scene.
Frank Atisso, co-owner of Artsville, is a well-known figure in SL’s artistic community. A dedicated art lover, photographer, and DJ, Frank has made it his mission to promote creativity and bring artists to the forefront of the virtual world. His blog, Art Korner, is a hub for art and photography events in Second Life, and it serves as a platform for showcasing new talent, documenting exhibitions, and maintaining an active event calendar for all things related to art.
Frank’s passion for blending art and music has given birth to Canvas & Chill, a space where visual art is paired with sound, creating a multi-sensory experience for attendees. His attention to detail and ability to curate a diverse range of works make each edition of Canvas & Chill a unique and highly anticipated event.
Working alongside Frank isJerzzie Reece-Redstar, co-owner of Artsville and an integral part of its success. Jerzzie’s role as a Sponsorship Consultant and co-owner of Art Korner reflects her deep involvement in supporting the arts within Second Life. Her ability to connect with both artists and audiences has helped grow Artsville into a vibrant community space where creativity thrives. Together, Frank and Jerzzie have built Artsville into more than just an art venue—it’s a dynamic platform where music, visual art, and community meet in inspiring ways.
Dress Code & Atmosphere
In the spirit of Future Horizons, attendees are encouraged to wear futuristic attire, blending sci-fi and imaginative elements into their outfits. However, the most important thing is to come as you are—ready to be inspired and immersed in creativity.
Step into the future of art and music at Canvas & Chill – Future Horizons, where creativity transcends boundaries and the virtual world becomes a canvas for limitless expression.
For more information on upcoming art events or to share your own, visit Artsville, the premier source for art and photography happenings in Second Life.
Please note that I Love Events(TM) is not associated with Linden Research, Inc. or any of its affiliated companies or products, including Second Life (collectively known as "Linden Lab"). The opinions and views expressed on this site belong to the content creators and do not represent the views or opinions of Linden Lab or its employees, directors, officers, agents, or representatives. The usage of the SLBN logo by I Love Events(TM) does not indicate endorsement or representation by Linden Lab.