The Nitroglobus Roof Art Gallery in Second Life is currently hosting an extraordinary art exhibition by the talented artist Bamboo Barnes. Curated by the esteemed Dido Haas, owner of the gallery, this exhibition delves deep into the intricacies of the human psyche, offering a glimpse into what lies beneath a face, an emotion, and a life experience.
Bamboo Barnes, known for her unique approach to art, describes her work as expressing what lies beyond the surface. She believes that art is not merely a reflection of light but rather a manifestation of something that resides within a person, something that carries the essence of love in its most profound and complex form. Consequently, her work rarely portrays cheerful or uplifting themes, as she aims to explore the darker aspects of human existence.
In her own words, Bamboo Barnes explains, “There is perhaps a faint sound in these works that echoes what I have been unable to say or do. It is not just about beautiful and smiling faces, but rather something that emerges from a black mass like ebony, where no cry can remain. However, it is a deeply personal sound, and I do not know how it resonates with you. I hope that I have been able to capture some of it in this exhibition. I hope you will take the time to immerse yourself in my work a little longer; that is all that matters to me.“
This marks Bamboo Barnes’ third exhibition at Nitroglobus, and she expresses her utmost respect and gratitude to the gallery’s owner, Dido Haas. The partnership between artist and curator has resulted in a thought-provoking and emotionally charged display of art that pushes boundaries and challenges conventional notions.
The artworks showcased in this exhibition, “Broken Chair,” are a testament to Bamboo Barnes’ exceptional talent and her ability to evoke deep emotions within the viewer. Through her masterful use of colors, textures, and composition, she invites us into a world where vulnerability and rawness coexist with beauty and grace.
Bamboo Barnes
“Broken Chair” at Nitroglobus
Bamboo Barnes
“Broken Chair” at Nitroglobus
As you navigate through the gallery space, take a moment to reflect on the profound messages conveyed by each piece. Allow yourself to be transported into the depths of the human soul, where hidden truths and untold stories reside. It is within these layers that Bamboo Barnes invites us to explore our own emotions and experiences, encouraging us to embrace the complexity of our existence.
The Nitroglobus Roof Art Gallery is honored to host Bamboo Barnes’ captivating exhibition, and we extend our sincere appreciation to Dido Haas for her unwavering commitment to promoting exceptional artistic talent. We invite you to visit this remarkable showcase and immerse yourself in the world of Bamboo Barnes – an artist who fearlessly delves into the depths of the human soul and invites us to do the same.
As I stepped into the ethereal world of Melusina Parkin‘s ‘Silent Shores‘ exhibition at the Nitroglobus Roof Art Gallery, curated by the visionary Dido Haas, I found myself immediately captivated by the artist’s endeavor to capture the elusive essence of silence within the virtual realms of Second Life.
Embracing the Void: A Digital Odyssey
In an age where noise inundates our senses, Melusina Parkin beckons us to explore the profound beauty of emptiness through her lens. ‘Silent Shores’ is not merely a collection of virtual images; it is a testament to the artist’s audacious attempt to encapsulate silence within the pixels and hues of Second Life.
The Silent Symphony of Pastels
Wandering through the gallery, it becomes evident that Parkin’s choice of pastel colors is not arbitrary. The soft, muted tones create a visual harmony that complements the overarching theme of silence. It is as if each stroke of her digital brush whispers a story of tranquility, inviting visitors to immerse themselves in the subtle cadence of color.
Where Voices Fade: Solitude in Pixels
The exhibition masterfully employs lonely landscapes and hazy visuals to convey the absence of noise and chatter. Through blurred images and gentle hues, Parkin paints a canvas of quietude, where the viewer can almost hear the silence echoing within the virtual space. It’s a testament to the artist’s ability to create an immersive experience that transcends the boundaries of the digital realm.
Silence as a Void: The Duality of Absence
In contemplating the curated images, one cannot help but grapple with the paradox of silence as both absence and presence. Parkin’s work invites us to confront the duality of silence, where it can evoke a sense of peace yet also resonate with a tinge of melancholy. The deliberate choice to subtract rather than add elements amplifies the impact, leaving the viewer with a profound emptiness to ponder.
Minimalism and the Shoreline Serenity
A significant portion of the exhibition features minimalist representations of beaches, rendered in delicate pastels. These serene seascapes, stripped down to their essence, radiate a quiet beauty that is both calming and contemplative. It’s a masterful blend of minimalism and emotional depth that characterizes Parkin’s unique approach.
Closing Thoughts: A Silent Ovation
As I conclude my exploration of ‘Silent Shores,’ I find myself in awe of Melusina Parkin’s ability to transcend the visual and immerse us in the auditory world of silence. The exhibition is not just a collection of images; it is a symphony of stillness that resonates with the soul. In a world clamoring for attention, Parkin’s work stands as a testament to the power of embracing the quiet, even within the bustling landscapes of Second Life.
The Nitroglobus Roof Art Gallery is hosting in these days the images of Clarissa Congrejo, a photographer known in Second Life® for years. The images of Clarissa have a significant following on Flickr and are commented on and added to favorites by hundreds of users. Clarissa, born as a photographer, has subsequently developed the passion for creating poses, useful for photographers themselves.
Speaking of Clarissa’s photographic style, she loves (male and female) close-ups. In the shot, Clary investigates “the intimacy” of the avatar, his mood, his overall mood. Giving life to a close-up in which, the real person behind the avatar can find himself, is a non-trivial enterprise. Those with a little experience of virtual worlds know well how there is a mysterious connection between the avatar and the person behind the avatar itself. The moods, emotions, and feelings are transmitted to the avatar, influencing in some way his appearance. In a “virtual photo shoot,” even the emotions of a person can be transmitted and shared.
In the introductory notecard to herself, Clary writes:
Let me introduce myself to you: I was born and raised in Greece, I am married and currently living in Germany. I initially studied Accountancy, however, designing has always been a fascination. So, I dropped Accountancy and started working for a newspaper and a magazine.
I joined Second Life in May 2007. At that time I had no idea what SL was and it took me some time to realize what was going on. During these 10 years in SL, I made a lot of friends, I was a builder, a landscaper, a rental manager but what captured me most was exploring places, as well as personalities, AND of course photography.
In 2010 I left SL for a period of 4 years and returned after my RL move to Germany. One of the reasons for my return to SL was me missing the expression of design and creativity. Since my return to SL, I’m making close ups. I love to turn my camera in all directions when I do a shooting, usually, I make over 50 snaps, even though in the end I will be happy with just the first one. I am a perfectionist and my challenge is to put feelings and emotions into an SL face.
I do not have a specific style when I edit a photo. Let me explain my ‘working method’: I open a photo in Photoshop and just click click click, go back delete, click until my eyes are satisfied with the result. If you ask me how I did this… my answer will be I have no idea, because I never remember the way I edited.
Over the last 7 months, I started making poses as well. My brand is called CKEY Poses.
Speaking more specifically about the photo gallery hosted at Nitroglobus, Clary says:
Faces….there are many, but only one represents us. It is an amazing thing how a face can put so many emotions in your head. I personally believe that making close ups is one of the most difficult arts in photography, both in Real and Second Life, because you have to combine a strong image with the right feelings and emotions it will evoke to the viewers of this image.
Somewhere on the Internet I found the following quote, which I wanna share with you:
‘Japanese say that we have 3 faces. The First face, you show to the world The Second face you show to your close friends and family The Third face you will never show to anyone. It is the most true reflection of who you really are’
I would like to thank all the persons who’s photos are shown here on the walls of Nitroglobus for their patience when posing for me. Love you all girls and guys.
To the visitors: I hope you will enjoy this exhibition.
