Angelika Corral‘s new exhibition at the Venus by Water Art Gallery is a visceral and poetic exploration of contemporary femininity. Through a series of extraordinarily intimate black-and-white photographs, Corral presents the female body as a landscape of vulnerability and strength, fragility and resilience.
Corral’s images are characterized by a masterful use of light and shadow. Bodies emerge from darkness, illuminated in a way that accentuates curves, textures, and gestures. This technique not only creates visually stunning compositions but also serves as a metaphor for self-revelation and female empowerment.
Particularly notable is the variety of perspectives offered by Corral. Some works present abstract close-ups that transform the body into a landscape of sinuous forms. Others offer more traditional portraits, capturing moments of introspection or ecstasy. In all these images, there is a palpable tension between exposure and intimacy, between what is revealed and what remains hidden.
Movement is another key element of the exhibition. Several images capture hair in motion, creating fluid lines that contrast with the solidity of the bodies. This dynamism infuses energy into the compositions and suggests a femininity in constant evolution, never static or easily definable.
The inclusion of a poetic text at the center of the exhibition adds another dimension to the work. This “letter to the woman” serves as a manifesto, celebrating the complexity of the female experience. The evocative language of the text resonates with the surrounding images, creating a dialogue between word and image that enriches the overall experience.
What emerges is a multifaceted portrait of contemporary femininity. Corral rejects simplistic or objectifying representations of the female body, opting instead for an approach that honors complexity, contradiction, and inner strength.
Curator Cecilia Nansen has expertly orchestrated the exhibition space, creating a pathway that guides the viewer through different facets of Corral’s exploration. The arrangement of the works creates visual and thematic rhythms that amplify the emotional impact of the exhibition.
In an era when representations of the female body are often a source of controversy and debate, Corral’s work offers a refreshing and powerful perspective. Hers is a celebration of women that does not shy away from vulnerability or strength, embracing complexity and finding beauty in contradictions.
This exhibition solidifies Corral’s reputation as an important voice in contemporary photography and the broader discussion of female identity. It is a visual and emotional experience that will resonate with many and challenge others, but surely will leave no one indifferent.
I would be delighted to see you at the opening of “I am a Woman” exhibition at Björk gallery@Venus by the Water, curated by Elizabeth Nantes and Cecilia Nansen.
Angelika’s black and white images are striking for the expressive intensity of the avatar and for her extraordinary communication skills. Angelika manages to convey a sensation through the black and white images made in the virtual world of Second Life.
I strongly believe that any kind of creative work brings out a little piece of the soul of the creator and therefore Second Life photography can be a genuine act of artistic expression.
Angelika Corral
I have known and followed Angelika Corral for years. I appreciated her years ago for her refinement and organizational skills with DaphneArts (one of the most interesting artistic projects ever made in Second Life, in my opinion).
Recently, I had the opportunity to appreciate the black and white images that Angelika offers on the Flickr platform. So I took the opportunity to contact her and learn more about her artistic inspiration and her technique.
“Queen of nothing” by Angelika Corral
Oema: How long is your passion for Second Life photography, and how has it started?
Angelika Corral: I first created my Second Life account back in 2010, when I began my postgraduate studies on “Gender and New Educational and Working Environments in the Information Society” at Aegean University of Greece. As it was a, partially, long-distance course, students and teachers could meet at the Second Life virtual campus to attend classes and chat. I was amazed by this new (for me) virtual space called “Second Life” and by its potential. Soon, I began conducting small qualitative studies and research, mostly observing in-world behaviors and taking interviews with residents. Second Life was the perfect field to study gender matters, so I worked on a study about the avatar as a representation of the self in a virtual space and later on I researched Second Life as a solution for the work-family conflict. Lastly, my thesis was 3-year ethnographic research in the virtual space of Second Life. I examined the ways people utilize the virtual world in terms of “employment”, observed which kind of “jobs” was practiced most frequently, the ways people seek “employment” in Second Life, how they eventually find a “job”, and the peculiarities of “professions” that are exercised in Second Life. I tried to figure out why people choose to work there. I dealt with the issue of knowledge and skills in relation to the forms of Second Life “employment”. In my study, there were references to the phenomenon of confusion between fun and work. Also, one of the main reflections of this study was the issue of prejudices and stereotypes concerning the gender of the avatars and I compared them with the real-life equivalent perceptions of their creators. I studied the phenomenon of inworld “gender-swapping” and its connection to Second Life “employment”. I attempted to look for similarities and differences in the real world, regarding stereotypes and gender biases in the field of “employment”. A challenging question was addressed; whether virtual worlds – because of the anonymity they provide to the users – are really liberating for the individuals, as, at times, it has been announced in the scientific community. Second Life photography began during this period of my virtual existence, as a student and a researcher. I needed visual material to support my findings and I think, by snapping photos, I could observe and reflect better upon the virtual world that was under study. I started posting these photos in my SL feed, and one day, a stranger said: “Hey Angelika, your photos in your Second Life feed are really nice, why don’t you create a Flickr account and post them there. Everyone in Second Life is posting photos in Flickr”. So, in 2013, I created my Flickr account and I guess, this is how “photography” in Second Life started for me. Since then, although I took some breaks, I have always snapped photos and I have been uploading them on my Flickr photo stream. I also presented my photos in a few in-world exhibitions.
“Alive” by Angelika Corral
Oema: What do you want to communicate with the black and white photography?
Angelika Corral: I’m mostly a portraitist and generally my photos are anthropocentric. Often, I do face close-ups with dramatic contrast and try to bring the viewer very close to the subject. By doing this and with the lack of color, I hope to show some emotions and I wish to raise the issue of the duality of humankind; bad-good, right-wrong, sad-happy, pleasure-pain, light-dark, angelic-evil, and so on. I realize that there are many voices out there, which support the view that Second Life avatars are fake, not real, unnatural, etc, so in this discussion, there is a permanent question that arises; how can a photo of an avatar show emotions? But for me, this is a beautiful challenge: can I make a – not real – avatar to show some emotions; can I play with lights and shadows to create the illusion of reality? Can I portray my emotions, my fears, and my thoughts, by doing so? I strongly believe that any kind of creative work brings out a little piece of the soul of the creator and therefore Second Life photography can be a genuine act of artistic expression.
“Mousehole” by Angelika Corral
Oema: Do you find inspiration from other photographers? If yes, which ones?
Angelika Corral: Of course, I do. I mostly find inspiration from real-life photographers, studying the light and shadows, the mood, the way they crop the works, and the way the human models pose for them. I concentrate a lot on the eyes and how they focus in a photo. I also use the real-life photos as references for my Second Life photo styles, hair, (which I often draw over the Second Life hairs), the make-up, and the pose, which I often create myself.
“The color red” by Angelika Corral
Oema: How do you realize your photos? Do you prefer using backdrops or visiting locations? Do you realize compositions?
Angelika Corral: I always have a posing stand rezzed at my Second Life photo studio in the sky, I usually keep it black and then I rez a light source, and most of the time, that’s it. Sometimes, if a sim, if I happen to visit a region, feels pleasant, I get inspired and I may try a photo. Music can be an inspiration for my photos. Lately, I have attempted some digital drawings on layers over the avatar photos and the result satisfies me. I don’t know if the viewers prefer this technique but I find it very artistic and creative and it has been a lot of fun creating works like this. I guess I like working with mixed mediums because I have always taken pleasure in drawing, so I discovered a way to make good use of my drawing skills.
“Violet” by Angelika Corral
“Pandora” by Angelika Corral
“Blue 4” by Angelika Corral
Oema: What do you think about the photography in Second Life? Just a way to promote items or something more?
Angelika Corral: I think there is a little bit of everything in Second Life. Anyway, this was the idea when Philip Rosedale created Second Life back in 2003; residents create their own avatars and have the freedom and the ability to be anyone they want and create their own virtual content. This is happening with photography also. It is widely known that Second Life has a virtual economy that is dependent upon actual money. Therefore, there is a large group of Second Life photographers who promote products created by residents. But still, there are a group of people who create artistic photos in Second Life. There is a community of residents who are genuinely interested in art. There are galleries, 3D art installations, museums, and many more things in Second Life for art lovers. My opinion is that Second Life is a great tool for people to use in many different ways.
Oema: You realized important gallery projects in the past. Do you also have it now?
Angelika Corral: Yes, I am proud to have been one of the creators of DaphneArts, which was founded in 2016 by Sheldon Bergman and me. Our group worked very hard, creating galleries at first where we hosted many collaborative and solo exhibitions. Later on, DaphneArts got involved with the creation of innovative interactive 3D art installations, as the founders strongly believed that artistic expression in a virtual 3D world should utilize its entire multimedia potential. The last multimedia installations, “Annabelle Lee” and “No Man Is An Island” were created in 2019. After that, DaphneArts closed its doors, basically because of the lack of financial resources.
Discover Upcoming Events in Second Life Stay updated with the latest events happening in the virtual world of Second Life. Explore, connect, and enjoy! Explore Events Promoted Events Dubai August 20, 2024 SHOPPING Learn More After Taste July 27, 2024 MUSIC &...
In the ever-evolving realm of virtual worlds, art installations have found a new canvas for expression. Sheldon Bergman, known in the digital space as SheldonBR, has crafted a unique experience in the virtual world of Second Life, harnessing its extensive creative tools. His latest installation, “Alone,” is an homage to the gothic literary giant Edgar Allan Poe.
As visitors arrive at the landing point of “Alone,” they are greeted with an invitation to immerse themselves fully in Sheldon’s vision. To do so, they must accept the experience, allowing them to interact with the installation in a way that is both seamless and intuitive. Furthermore, they are encouraged to modify their graphics settings to utilize the advanced lighting model, ensuring the visual elements are as impactful as Sheldon intended.
The experience is not just a visual journey but a literary one as well. Sheldon has woven Poe’s haunting verses and themes throughout the installation. A specially created HUD accompanies visitors, guiding them through the virtual space and enriching their exploration with quotes and references to Poe’s masterful works. It’s an interactive narrative that invites reflection on the dark romanticism that Poe’s literature encapsulates.
“Alone” is dedicated by Sheldon Bergman to Angelika Corral. For several years, Sheldon and Angelika have been a dynamic duo in the virtual art world, previously spearheading the renowned DaphneArts gallery project. Through numerous installations, they have pushed the boundaries of digital art, and “Alone” is no exception. This installation is not just a new addition to Sheldon’s portfolio but a tribute to the creative synergy he shares with Angelika.
Visitors to “Alone” will find themselves wandering through a meticulously crafted landscape that is both eerie and beautiful. It is an artistic experience that transcends the conventional, inviting contemplation on the profound solitude and introspective themes present in Poe’s poetry and prose. Sheldon Bergman’s “Alone” stands as a profound digital homage to the rich, melancholic world of Edgar Allan Poe, and a celebration of an artistic partnership that continues to innovate and inspire within the boundless possibilities of Second Life.
Please note that I Love Events(TM) is not associated with Linden Research, Inc. or any of its affiliated companies or products, including Second Life (collectively known as "Linden Lab"). The opinions and views expressed on this site belong to the content creators and do not represent the views or opinions of Linden Lab or its employees, directors, officers, agents, or representatives. The usage of the SLBN logo by I Love Events(TM) does not indicate endorsement or representation by Linden Lab.
